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The Sublime Value of the Donghak Peasant Revolution in the 'Glossom Flowers'

The noble value of the Donghak Peasant Revolution, which is contained by the "Gnokdu Flowers"

[Entermedia = Jung Duk-hyun] Ugumti Pass, guarded by Japanese soldiers armed with powerful firepower.,The name Ugumti, which is named after the bandits have been banned from passing through the cattle, is a difficult point to penetrate as a way to enter the princess.,The way that Japanese soldiers will die helplessly if they shoot with a gun.,But as in real history and in the SBS gilt drama "Golden Flower", which reenacted it, they jump to overturn the head while knowing that they are dying.,The battle of Ugumti, which was not a battle but a massacre. The struggle of the desperation soldiers has now preceded the "Nokdu Flower".

Why did they go on without avoiding the path that the death had been announced?,Perhaps it was not the result of this revolution but the process that the drama about the Donghak Peasant Revolution called "Nightflower" was about to contain.,In the battle of Ugumti, the Donghak soldiers who confronted the Japanese army eventually lost by their powerful firepower, and Jeon Bong-joon dissolved the Donghak army.,In the end, as Jeon Bong-joon was arrested in Sunchang in the wake of the betrayer's snitch that year, the Donghak Peasant Revolution ended incomplete.

In fact, it is a burden to put a revolution that has ended in failure into a drama, because the tragic righteousness gives viewers a heavy weight to watch the drama.,Nevertheless, the re-examination of the Donghak Peasant Revolution by the "Nokdu Flower" meant that it did not want to leave it as a "history of failure".,The people's consciousness that they woke up in the day did not bloom in the revolution at the time, but eventually it continued without losing and continued to the present.,The history of the people that has been going on so far is that the Donghak Peasant Revolution, which contains the "Gnokdu Flower", is not a failure but a cornerstone for future success.

What matters here is why they have entered the revolution with what thoughts and minds.,Hyoyumun, who was used by the Japanese imperialist forces in the car that was quietly prepared for the army by the secretary of Gojong, makes Donghak soldiers devastated.,Now, it is time to fight against the Japanese army without receiving the support of the country.

To Jeon Bong-joon (Kim Moo-sung), who asks why people are jumping into such a fight, Baek Yi-gang (Cho Jeong-seok) says, "For the precious things that each should keep.",It is not to fight for the king, but to protect his family and his home, and then Jeon Bong-joon tells Baek Yi-gang that what they are doing is not war but revolution.,"War is made by hatred, but this is made by love," he said.

This makes it clear what the pro-Japanese activities of Baek Yi-hyun (Yoon Si-yoon), the brother of Baek Yi-gang, who made a choice in the whirlwind of this history, were.,The war of barbarism, which was written in the mask of civilization.,He excuses civilization for trying to make some sacrifices to reduce more sacrifices to the end, but he is shocked by the word "killing" in Japan's instructions.,It is the moment when I realize that both the excuse and rationalization of the foolish and terrible pro-Japanese act are only my own illusion.

Now the battle of Ugumti, which will be drawn next week, is likely to draw tears, sweat and blood of this heart-warming revolution.,It will draw the noble choice of the medical men of the day who wanted to die as a living person even if they fought for a day rather than living dead even if they ended in a painful failure.,They were there, and we were now, and that was not a failed revolution.

Jeong Duk-hyun columnist thekian1@entermedia.co.kr

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